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The Vocal Athlete, by Wendy D. Leborgne, Marci Rosenberg
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The Vocal Athlete and the companion book The Vocal Athlete: Application and Technique for the Hybrid Singer are written and designed to bridge the gap between the art of contemporary commercial music (CCM) singing and the science behind voice production in this ever-growing popular vocal style. This book is a must have for the speech pathologist, singing voice specialist, and vocal pedagogue. Heavily referenced, this text is ripe with current research on singing science as it relates to the CCM voice.
In addition to general singing science, The Vocal Athlete is the first book of its kind to address the unique vocal and physiologic demands of commercial singing from a sound scientific and pedagogical standpoint. Historical review of classical vocal pedagogy is interwoven and transitioned to current pedagogy of CCM. Anyone who trains singers will gain insight into the current research and trends regarding the commercial music artist. Specifically, promotion and maintenance vocal wellness unique to the high demands of the CCM artist are provided for career longevity. Readers are provided additional resources on the multidisciplinary roles relative to managing vocal injury for this high risk group of singers.
The Vocal Athlete distinguishes itself from other pedagogy texts by incorporating current peer reviewed literature in the area of CCM and its studio application. Also unique to this text are chapters on body alignment, traditional and holistic medicine, the lifecycle of the voice, and the physiology of belting.
The companion book The Vocal Athlete: Application and Technique for the Hybrid Singer is a practical array of vocal exercises and techniques described by experienced CCM vocal pedagogues. This book comes with a CD of the singing exercises to further enhance understanding of techniques and skills used in training these singers. These books are invaluable tools for anyone who uses or trains the singing voice.
- Sales Rank: #308492 in Books
- Published on: 2014-06-02
- Original language: English
- Number of items: 1
- Dimensions: 9.75" h x 7.00" w x .75" l, 1.23 pounds
- Binding: Paperback
- 300 pages
Review
With the publication of The Vocal Athlete, singers and voice teachers now have access to a remarkable, unprecedented collection of resources. The breadth and comprehensiveness of this two-volume set are remarkable... The phenomenon of the hybrid singer has led to the proliferation of a hybrid teacher ... Early responses suggest that this kind of teacher will find The Vocal Athlete to be an incredibly valuable resource, a compendium of some of the best and most current thinking in the field, complemented by a thoughtful review of the scientific literature. ... [The companion] workbook and CD provide both teachers and students with the opportunity to explore some of the best practices of the world s top pedagogues... --Charlie Gilbert, The SAVI Singing Actor (9/8/2014)
About the Author
Dr. LeBorgne is the voice pathologist, singing voice specialist, and director of the Blaine Block Institute for Voice Analysis and Rehabilitation (Dayton, OH), and The Professional Voice Center of Greater Cincinnati (Cincinnati, OH). Additionally, she holds adjunct professor positions at Cincinnati College-Conservatory of Music as a Voice Consultant and in the College of Allied Health. Dr. LeBorgne holds a B.F.A. in Musical Theater from Shenandoah Conservatory and both her masters and doctoral degrees from the University of Cincinnati in Communication Sciences and Disorders with a specialty in voice disorders. Her research has focused primarily on the area of the professional singing voice (specifically the Broadway Belt Voice).
Marci Daniels Rosenberg, MS CCC, is a singer, and a speech language pathologist/research investigator in The University of Michigan Departments of Speech Language Pathology and Otolaryngology. After completing degrees, in classical voice performance from Peabody Conservatory of Music and then in speech language pathology at Towson State University, she completed a research fellowship in the Voice and Speech Lab at the National Institute on Deafness and Other Communication Disorders (NIDCD) in 1996. There she received the Voice and Speech Faculty Award for Research Excellence, NIDCD. She then completed her Master s degree in speech pathology at Bowling Green State University. As a Voice and Singing Specialist, and lead speech pathologist at The University of Michigan Vocal Health Center, Ms. Rosenberg works clinically to rehabilitate injured voices. She has particular clinical interest in contemporary commercial vocal styles. Her research focuses on vocal health for the performance voice. Some of her presentations include workshops and posters at The Voice Foundation in Philadelphia in addition to numerous lectures, workshops and master classes at regional colleges and universities.
Most helpful customer reviews
2 of 2 people found the following review helpful.
The new textbook go-to Vocal Pedagogy textbook for many years to come.
By Voice Teacher
I will be using this book for my Vocal Pedagogy class in the Spring. For many years I have been looking for a book that was the right combination of Vocal Science and classical pedagogy, yet at the same time was an accessible read for the college classroom. This is the book; indeed, I have the feeling that this will become the go-to Vocal Pedagogy textbook for many years to come. The book is one of the first to address the unique challenges of the modern Contemporary Commercial Music field, but there is also an extensive chapter on the history of classical Vocal Pedagogy. This book has it all; and don't forget to buy the workbook, as well, which is full of very useful exercises for the modern voice studio, indispensable for your students as they begin to teach.
2 of 2 people found the following review helpful.
It is a great addition to any vocal pedagogy class at the collegiate ...
By Kari Ragan
This book is a remarkable resource for any singer or voice teacher interested in learning more about the many important facets of the voice. It includes information on historical pedagogy all the way through to trends and physiological facts for the contemporary singer. This book covers it all and is an incredible resource. It is a great addition to any vocal pedagogy class at the collegiate level but also accessible for the avocational singer. I will be using it as additional reading for both my graduate and undergraduate voice pedagogy class. It should be required reading for any teacher of singing OR singer who wants to learn more about the mechanics of the voice. There is also a wealth of information about vocal health and vocal hygiene. Incredibly readable and a great resource.
1 of 1 people found the following review helpful.
Very Useful
By Patricia
absolutely useful. one of the best vocal pedagogy books I have worked with. Very well written, easy to follow, quite clear explanations about every exercise. I recommend buy it with the workbook. Both are the perfect dupla.
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