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A superheroine in peril novella 9200 words aproximate

What’s worse than a scorned woman?

A scorned woman who can fire plasma bolts!

Superheroine Sparrowhawke is livid when she discovers that her husband and fellow crime fighter Energo has been cheating on her. The hot-headed heroine confronts her two-timing spouse and forces the name of his mistress from him, that of fellow crime fighter Ravyne.

Well, she’s not going to take this lying down! That purple-clad home wrecker was going to pay! When Sparrowhawke gets through with her she’ll regret ever stepping out with her man!

Property damage be damned!



Contains violence, strong language and mature situations

  • Sales Rank: #1084897 in eBooks
  • Published on: 2015-04-06
  • Released on: 2015-04-06
  • Format: Kindle eBook

Most helpful customer reviews

0 of 0 people found the following review helpful.
A great story
By Kindle Customer
As the two fight you learn who they are and the deeper issues behind their fight. There is a third party involved and they finally realize they have been set up. The ending is sweet with revenge.

0 of 0 people found the following review helpful.
dont p___ off a superheroine!!!
By Amazon Customer
Fun story. Lot of action. Quick read. More,please.

See all 2 customer reviews...

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Sabtu, 20 September 2014

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From climate change to sustainable communities, landscape architecture is at the forefront of today's most crucial issues and this book provides an introduction to the key elements of this broad field.

The Fundamentals of Landscape Architecture explains the process of designing for sites, calling upon historical precedent and evolving philosophies to discuss how a project moves from concept to realization. It serves as a guide to the many specializations within landscape architecture, such as landscape strategy and urban design.

The second edition features new international and US-based case studies including a study of Peter Schaudt of Hoerr Schaudt Landscape Architects based in Chicago, US, which features the Historic Landscape Preservation Plan, at The University of North Carolina, Chapel Hill. The work of Dr Kongjian Yu of Turenscape is explored and features Houtan Park, Shanghai, China and Greg Grabasch's project Januburu Six Seasons, Broome, Western Australia is discussed. Examined in depth is the work of Ten Eyck Landscape Architects at The Arizona State University Polytechnic Campus, US.

For the second edition the author, Tim Waterman, has interviewed the following leading landscape architects: Phil Askew of the London Legacy Development Corporation, UK, discusses the continuing legacy of the Olympics in London. The work of New York-based Thomas Balsley is explored through his project at Hunter's Point South Waterfront Park, New York, USA. The ethos of Raymond Jungles is examined with reference to his project at 1111 Lincoln Road, Miami, Florida, USA. And the role of the landscape architect is discussed with Thierry Kandjee of Taktyk in Brussels, Belgium. These interviews and case studies should inspire landscape architect students the world over to create innovative and creative designs.

  • Sales Rank: #897917 in Books
  • Published on: 2015-04-23
  • Released on: 2015-04-23
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.04" h x .75" w x 6.78" l, 1.60 pounds
  • Binding: Paperback
  • 192 pages

Review

“This book is a handy reference and easy to use especially for students ... The timeline especially is very good.” ―Deepika Shetty, Manipal School of Architecture and Planning, India

“...quality content and focus on what the profession is about - augmented with concise text, explanation of terms, and great graphic content. It's a superb book.” ―Landscape + Urbanism blog, 2010

“This might be the perfect gift for those people that continually fail to understand what it is a landscape architect really does.” ―Andrew Spiering, Land8Lounge

About the Author
Tim Waterman is a senior lecturer in landscape architecture at the Writtle School of Design in the UK. He is a tutor at The Bartlett School of Architecture, University College London, UK and Honorary Editor, of Landscape: The Journal of the Landscape Institute.

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Selasa, 16 September 2014

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"This generation's Cruel Intentions." Jennifer L. Armentrout, #1 New York Times Bestselling Author

These Royals will ruin you...

From wharf fights and school brawls to crumbling lives inside glittery mansions, one guy tries to save himself.

Reed Royal has it all--looks, status, money. The girls at his elite prep school line up to date him, the guys want to be him, but Reed never gave a damn about anyone but his family until Ella Harper walked into his life.

What started off as burning resentment and the need to make his father's new ward suffer turned into something else entirely--keep Ella close. Keep Ella safe. But when one foolish mistake drives her out of Reed's arms and brings chaos to the Royal household, Reed's entire world begins to fall apart around him.

Ella doesn't want him anymore. She says they'll only destroy each other.

She might be right.

Secrets. Betrayal. Enemies. It's like nothing Reed has ever dealt with before, and if he's going to win back his princess, he'll need to prove himself Royally worthy.  
 
Warning: This book ends in a cliffhanger. 

ABOUT THE AUTHOR

Erin Watt is the brainchild of two bestselling authors linked together through their love of great books and an addiction to writing. They share one creative imagination. Their greatest love (after their families and pets, of course)? Coming up with fun--and sometimes crazy--ideas. Their greatest fear? Breaking up. You can contact them at their shared inbox: authorerinwatt@gmail.com

Praise for Paper Princess, a #1 NYTimes bestselling novel:

"Intense, haunting & hot--I can't stop thinking about Paper Princess!! The intriguing sexy characters draw you in and don't let go. A true must read!"--Emma Chase, New York Times bestselling author of the Tangled and Legal Briefs series

"Wickedly clever writing, deliciously provocative characters, & chilling final pages made Paper Princess impossible to put down! Confidently a 2016 Top Read!"--ROCKSTARS OF ROMANCE

"Gritty, angsty, steamy, and rife with scandal and secrecy, Paper Princess is the kind of book you hope EVERY book will be when you open it. The kind you can't put down, can't forget about. This book consumed me and thanks to that crazy ending, I won't be moving on from this book for a good long while." Jessica from Angie & Jessica's Dreamy Reads

  • Sales Rank: #558 in eBooks
  • Published on: 2016-07-25
  • Released on: 2016-07-25
  • Format: Kindle eBook

Review
PRAISE FOR PAPER PRINCESS
"Intense, haunting & hot―I can't stop thinking about Paper Princess!! The intriguing sexy characters draw you in and don't let go. A true must read!" ―Emma Chase, New York Times bestselling author of the Tangled and Legal Briefs series

"Wickedly clever writing, deliciously provocative characters, and chilling final pages made Paper Princess impossible to put down! Confidently a 2016 Top Read!" ―ROCKSTARS OF ROMANCE

“I am aching for the next installment!”―Kristen Krantz / Hypable

About the Author
Erin Watt is the brainchild of two bestselling authors linked together through their love of great books and an addiction to writing. They share one creative imagination. Their greatest love (after their families and pets, of course)? Coming up with fun―and sometimes crazy―ideas. Their greatest fear? Breaking up. You can contact them at their shared inbox: authorerinwatt@gmail.com

Most helpful customer reviews

5 of 5 people found the following review helpful.
3.5/5
By T. Geo
I didn't enjoy the storyline of Broken Prince as much as I did Paper Princess. I was hoping Ella would date other people, maybe even Easten because I like them together better than Ella and Reed. The ending was just crazy, as if Reed never learned his lesson from book one. The kiss with Wade was perfect. I needed more of that. I didn't feel there was much of a story, more of a filler between book one and three but I finished it in a day.

2 of 2 people found the following review helpful.
Disappointing
By Shadowswept
I got completely sucked into Paper Princess and stayed up late into the night to finish it in one sitting, because I couldn't put it down. So I was extremely excited for the sequel. That excitement faded after I started reading it, and I actually set it aside to read another book. I've continued to read Broken Prince in short increments since then, because it's not as compelling as the first book.

I loved the angst and the sexual tension in the first book, and there is none of that in Broken Prince. The problem here is that we get Reed's POV, and that takes away all the uncertainty and intrigue about his intentions. I couldn't connect with Ella's doubt in this one, because I already knew the truth straight from Reed's thoughts. He was also more interesting when he was ambiguous. Knowing all his thoughts ruined that. It also took away all the tension and anticipation. It made the story too predictable.

I enjoyed Ella's showdowns in the first book, but they were ridiculous and overdone in this one. All the drama here quickly became tiresome. It dragged on and on, and there was no fun. The first book had fun scenes to enjoy, but I can't remember any in this book. Even Easton was depressed during the entire book. I love angst, but this tipped over into melodrama. The only unexpected thing that happened was Gideon's secret. That piqued my interest, but it was only a brief part of the plot.

The worst part of this book was the ending. The cliffhanger in the first one promised all kinds of antagonism and fireworks that this book didn't deliver. The cliffhanger in this one was just plain stupid. It made Reed look stupid, because there was no reason for him to go anywhere near the mess his dad was already taking care of. It made no sense in the plot, and it is completely contrived just to add enough drama to drag things out for another book.

I'm really disappointed, because I expected to love this book as much as the first one. Sadly, all the magic is gone.

5 of 5 people found the following review helpful.
Paper Princess was so good..
By Amazon Customer
Paper Princess was so good... anxiously awaited the sequel and was so disappointed. Broken Prince is.... boring...I don't know how else to say it. The plot is very weak. So disappointed.

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  • Sales Rank: #14318366 in Books
  • Published on: 1935-01-01
  • Binding: Paperback

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Born to Love, Cursed to Feel is about love—the good, the bad, and the confusing. It touches on morals and how when emotions are involved it’s not as black and white. The poetry is frequently written in a narrative manner that evocatively pulls you in and makes you feel. This book is about falling in love, bad decisions, and ultimately growth. The essence of it all is to show that no matter how far one falls all the mistakes don’t have to be what defines them.

  • Sales Rank: #72521 in eBooks
  • Published on: 2016-09-27
  • Released on: 2016-09-27
  • Format: Kindle eBook

About the Author
Samantha King has been writing since the age of 11. She took up the pen during a tough time in her life and it evolved from song writing into poetry. Not always able to articulate how she felt, poetry became her therapy. The compilation of poems over the years takes you through the various stages of her life, almost like a diary. The essence of who she was and is becoming can be found in her words. She currently resides in New York with r.h.Sin.

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4 of 5 people found the following review helpful.
Poetic Validation
By Quatieme Et But
Reading this collection was like having someone translate my own feelings which were always in a language foreign even to myself. There were moments when I just stopped reading and cried because it was so validating to know there's at least ONE other person on the planet who can relate to the diverse, and often conflicting emotions I feel about love and life. I'm sure I'll read this collection countless more times in my life. Right now, it's my therapy. Thank you, Samantha King.

0 of 0 people found the following review helpful.
Good book
By ann
This book really good. Everyone on my Snapchat wanted to know where I got the book from an I told them. Indialove✨ Introduce me to the book so I'm happy I got it

0 of 0 people found the following review helpful.
This is a wonderful poetry collection
By Madalyn Beck
This is a wonderful poetry collection. Love her words. Every one of them. I could relate so much to the thoughts and feelings expressed by Samantha King.

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Grimoire for the Green Witch: A Complete Book of Shadows, by Ann Moura

The author of the popular Green Witchcraft series presents her personal Book of Shadows, designed for you to use just as she uses it-as a working guide to ritual, spells, and divination. This ready-made, authentic grimoire is based on family tradition and actual magical experience, and is easily adaptable to any tradition of Witchcraft.

Grimoire for the Green Witch offers a treasury of magical information- rituals for Esbats and Sabbats, correspondences, circle-casting techniques, sigils, symbols, recitations, spells, teas, oils, baths, and divinations. Every aspect of Craft practice is addressed, from the purely magical to the personally spiritual.  It is a distillation of Green practice, with room for growth and new inspiration.

2004 COVR AWARD 1ST RUNNER-UP

  • Sales Rank: #6778 in Books
  • Brand: Unknown
  • Published on: 2003-09-08
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.04" h x .90" w x 8.04" l, 1.88 pounds
  • Binding: Paperback
  • 360 pages
Features
  • Grimoire for the Green Witch: A Complete Book of Shadows

About the Author

Ann Moura has been a practitioner of Green Witchcraft for over forty years. She holds both a B.A. and an M.A. in History. Moura lives in Florida where she runs her own metaphysical store, presents public rituals, and teaches classes on the Craft. Visit her online at www.annmourasgarden.com or at www.lunasolesoterica.com.

Excerpt. © Reprinted by permission. All rights reserved.
1
Green Witchcraft
Creed of the Green Witch
The Sacred Tradition of Green Witchcraft
The Goddess & the God
Family Practice
The Litany
The Rules of Conduct
The Three Styles of Green Witchcraft
Sabbats: The Wheel of the Year
Quarters & Cross-Quarters
Calendar of Observances
Ground & Center ― Grounding
Ritual Components ― Ritual Robe Colors
Craft Names ― Names of the God & Goddess
Symbols & Signs ― The Magical Container
Basic Tools ― Basic Materials
Altar Arrangement
Magical Pointers
Alphabets ― Coven Terms ― Craft Terms

Creed of the Green Witch
I Acknowledge the Unity of the Divine, symbolized by the Divine Androgyne, aspected as female and male, Goddess and God, form and energy, lunar and solar powers, honored during the Wheel of the Year at Esbats, Sabbats, and sacred days.

I Acknowledge the immanence of the Divine, whose Spirit resides in all things and worlds, creating a unity of All in Oneness and kinship through the Goddess and the God.

I Acknowledge that the Elementals Earth, Air, Fire, and Water are extensions of the Goddess and the God, both external and indwelling kith and kin, connecting all through Spirit.
I Acknowledge the immortality of the individual spirit, comforted by the God in Underworld, refreshed by the Goddess in Summerland, choosing incarnation by form, place, and soul purpose.

I Acknowledge that the God lovingly demonstrates the life cycle in His yearly passage through the Sabbats. He is born as the Oak King of the Goddess as Mother at Yule; cleansed and carried by the Crone into the arms of the Mother at Imbolc to be nourished by the milk of Her love. At
Ostara, the Goddess transforms as Maiden and joins the God that They may walk as the Lady and the Lord of the Wild Wood to awaken the Earth from the sleep of Herself as Crone of Winter.
The God and Goddess unite at Beltane to bring renewal to the Earth, and at their Litha wedding, the God shows His face of wisdom and age, turning from Oak King to Holly King as He begets Himself of the Goddess. At Lughnassadh, the God enters into the Goddess aspected as Mother Earth, filling Her abundance with the life essence of His solar energy. He enriches
the vines and barleycorn with the essence of His Spirit at Mabon. He enters into Underworld, leaving the Goddess alone as Mother-to-be and Crone through Autumn and Winter, while He leads the Wild Hunt as the Horned Hunter, gathering the dead to His realm. He rules Underworld as the Lord of Shadows, where He offers rest, solace, and release of burdens to spirits at
the end of each incarnation. At Samhain, the God passes His Spirit through the Goddess, making thin the veil between the worlds by their union of shadow and light, turning the Tomb of the Crone into the Womb of the Mother. At Yule the God as Sage offers His blessing and farewell to the children of the world, then turns His face to join them as the Infant Oak King
reborn. Through the Wheel of the Year is the path of perfect love and perfect trust in the Divine demonstrated, that we may walk with the Goddess and the God in the bond of love.

I Acknowledge the three great Mysteries: the Ancient God as Father and Son; the Maiden Goddess as Mother and Crone; and the Union of Tomb and Womb for the eternal cycle of Life Immortal.

The Sacred Tradition of Green Witchcraft
The Green Tradition of Witchcraft sees the aspects of the Divine All as separate and united as Goddess, God, and Both. The One who is All matches all being from the One. The forms of The Lord and the Lady are interlinked and interchangeable: Father Sky and Mother Earth/Sky
Goddess and Earth God; Sun and Moon; Triple Goddess and Wed to the Triple Goddess; Threefold God and Wed to the Threefold God; Lord and Lady of the Greenwood; Lord of Abundance and Lady of Plenty; Queen of the Stars and King of the Universe; Creator and Creatrix, Spirit and Matter; Life and Passage; and Cosmic Dancers of Energy and Matter.

The Creative Forces of Nature are revered, with the Goddess and the God symbolizing the Universal Materials and Energies from which comes all existence. The God and the Goddess are equal and omnipresent, for They are found throughout the Universe, the Earth, and all that dwell therein. Because it is the Spiral Dance of Rebirth that brings us back to the Source
of our existence in the Goddess and the God, reincarnation and communication with spirits are accepted parts of the religion.

Knowledge is the gift of the Goddess and the God, learning through many lives on Earth and keeping close to Them. Magic is a natural means of working with natural energies to accomplish a goal, and this magic becomes part of natural life for the practicing Green Witch. Consciousness may be altered through visualization, meditation, ritual, music, and dance to better commune with the Divine and effect the magic. Through Dedication, the pathway to communication is constantly open, so altered states cease to be necessary for contact with the Divine in Nature, only inner stillness and balance.

Freedom of the individual and personal responsibility are key aspects of Green Witchcraft. The liturgy may be created as needed or desired, for the magic will naturally flow with the acceptance of oneness with the All and with self-responsibility in our living.

Immanence, interconnection, and community are three core principles of Witchcraft. Because the God and the Goddess are manifested in all life, all existence is connected to be one living cosmos. The focus is on the growth of the whole through care for the Earth, the environment, and each other. The mythology of the Lord and the Lady revolves around two themes in the Wheel of the Year―that of Fertility and Passage of the Seasons; and that of the Divine Life Cycle of the God, often related in allegory to the changing of the seasons. Thus, the sacrificed god motif can be found in the Corn (Wheat) Cycle, wherein the God willingly gives His life-force into the crops at the time of marriage that humanity may be sustained, thus relating the Divine to life and Rites of Passage.

The Triple Goddess is the Maiden, Mother, and Crone (Matron), whose consort is the Horned God, the Creator, Destroyer (Hunter), and Lord of the Beasts. All Nature has both positive and negative aspects, and to be reborn, one must first die. The Goddess is seen as both life in Her form as Mother and as death in Her form as Crone, yet both are the same. Death is a natural passage to new life and is not feared or labeled as evil. With Nature there are both pleasant aspects and harsh aspects, but this is all part of the reality of the energy that flows in the Earth, the Universe, and the beings of the Earth. The transition of the spirit through incarnations is not
feared, but understood and accepted as natural, for life is eternal, and all spirits are immortal.

Attuning to the God and the Goddess changes one forever―sparks new hope for the individual and for the planet. Personal destiny is in the hands of the practitioner. The Dark Aspects of the God and the Goddess―Lord of Shadows and Crone―as well as the Bright Aspects―Horned God and Maiden/Mother―are accepted. The Divine is both Creation and  Destruction; Abundant Nature and Destructive Nature. Since all life is joined in the Dual Deity, the Two Who Are One, and to each other, life cannot be destroyed, only changed or moved into and out of the cauldron of life. The religion then is the worship or reverence of the Life Force represented in the
Dual Deity as a Conscious Unity. This reverence may be expressed through ceremonies or rituals dedicated to cycles of fertility, of planting and harvest, and of solar and lunar phases. The Esbats are Rituals of the Full Moon, New (Dark) Moons―times to receive learning from the
Goddess. The Sabbats are composed of four solar festivals, called the Lesser Sabbats or the Quarters, and four agricultural festivals, called the Greater Sabbats or the Cross-Quarters. These are the main focus of ritual in the Green Tradition, along with Twelfth Night (Naming Day). The names by which the Lord and the Lady are addressed are not important, for They are One by whatever Names They are known, and They dwell within. They give life to be lived fully and with enjoyment, and we are reborn to learn until we are reunited with Them. Because people are of the Earth, She should be revered. The Green Witch knows of the connection of all things, the immortality of life, and draws upon the Power of the Divine directly, or through the Elementals of Earth, Air, Fire, and Water, or such spirits, devas, and Other People as may be helpful. The Elementals are the Kith and Kin of the Green Witch, for body and strength are of Earth, breath and thought are of Air, energy and drive are of Fire, and emotions and vital fluids are of Water. In olden days, The People learned in the ways of the Old Religion were called Wicce―voiced in the Middle English speech as Weetch’ie―meaning Wise, and the use of that wisdom was called the
Craft of the Wise―WicceCraft, from whence comes the word Witchcraft. The Green Tradition of Witchcraft sees the Practice of the Craft as spirituality, and holds the word Witch as honorable and  spiritual.

The Goddess & the God
Because the Divine is One, the aspects of the Divine may interchange roles. Either the Lady or the Lord may represent the Sun, Moon, Grain, Harvest, Waters of Life, Universe, Sky, Earth, Life, Death, Passage, Resurrection in Body and/or in Spirit. The Lady and the Lord symbolize female and male fertility. They are both Power and Passage, honored with rites of burning lamps, candles, and torches; with salt and water, bread and wine, and flowers and grain. They both represent the passing of the seasons through solstices and equinoxes―the Lesser Sabbats of the Quarters―as well as through the cycles of harvest from preparation to planting to tend―the Greater Sabbats of the Cross-Quarters. In the harvest Sabbats, the Lord is the Sun, and the Lady is the Earth, culminating with the energy of the Sun entering the life supporting grains of the Earth, and giving the spirit of life into the fruits of the vines that refresh us. The Lady is most related to the Lunar phases―the Esbats of the Full Moon and New Moon [last waning crescent], as well as the Esbats of the Dark Moon, Blue Moon, and Sidhe Moon.

The Lord is Oak King from Yule to Litha, and the Holly King from Litha to Yule. He is Sun King and Lord of Shadows, Hunter and Greenman, Lord of the Wildwood, of Animals, and of the Fields, the one who collects the spirits who seek passage through the Goddess into new life.

The Lady is the One Who Transforms, the Changer. It is through her that the Lord dies, passes to Underworld, then is reborn. She changes, but is never-ending, and she is both Crone and Mother at the same time, thus her Tomb is also the Womb. It is through her that the spirit travels from death into new life, through her Cauldron of Rebirth.

Family Practice
Through each generation, the Green Craft adjusts and changes to meet the needs and inclinations of the Green Witch, just as Nature changes and alters to meet the needs of life’s movement. Here lies the basic core of Green Witchcraft for future generations of my family and anyone I, or they, might reach and for whom this Craft holds resonance and brings joy. May this
Craft grow with future generations as they enlarge upon it through their explorations of the vastness of the Power, guided always by the loving Lady and Lord, and by the kindness of the Elementals, who are the Cardinal Emanations of the Divine: Earth, Air, Fire, and Water joined with our Spirit that is of Divine essence. We are One. The family tradition honors the Goddess at Lunar phases of the Esbats and she is seen as the Goddess of the Moon and the Earth. The God is honored at Solar phases of the Sabbats and is seen as the God of the Sun and the Earth.

The Goddess of my family is Bendidia, or Bendis, the Thracian Goddess of the Dark Moon. She holds a twig in her hand to show the way to Underworld, and hence to new life. She is the Goddess of Magic, Secrets, Occult Wisdom, and is the ancient Goddess of Witches. But She is also the Goddess by any name, and is the Triple Goddess of Maiden, Mother, and Crone.

The God of my family is Shiva, but He is also the God by any name, and is the Triple God of Youth, Father, and Sage identifiable with Dionysus, Cernunnos, Frey, and Herne. He dances within a ring of fire, sits upon a dais, horned and surrounded by animals wild and domestic, and sits upon a tiger skin in meditation, being the Lord of the Cosmic Dance, Lord of Beasts,
Lord of the Wildwood, and Lord of the Harvest. He is Horned Hunter, Greenman, Lord of Light, Lord of Shadows, and Wed to the Triple Goddess.

The Litany
The Goddess and the God are One
Life is a Gift to Enjoy
I am part of the Earth and revere Her
I am connected to all things and the Power therein
I am one with the All and the All is within me
I am kith and kin to the Elementals, aspects of the Divine
I learn from the Goddess and the God, Nature, and Meditation
I follow the Rules of Conduct as passed down to me

The Rules of Conduct
1. Be careful what you do.
2. Be careful who you trust.
3. Do not use the Power to hurt another, for what is sent comes back.
4. Never use the Power against someone who has the Power, for you
draw from the same well.
5. To use the Power you must feel it in your heart and know it in your
mind.
[Words repeated through my maternal line since 1890.]

The Three Styles of Green Witchcraft
GREEN PRACTICE AS FOLK ARTS
This approach to the Green Craft comes under the umbrella of a mainstream religion: practicing the Craft is to work magics using the new names of the deities of power, and celebrate the traditional holidays with the understanding of their Pagan originals. Folk Art Witches may invoke the Power as the energies of deities, angels, saints, and the Holy Spirit, and may adapt other cultural images into their practice.

GREEN PRACTICE AS PERSONALMAGICS
This variety of Green Craft as a Natural Witchcraft elevates the Mannuz (Mahn-NU or the Human; Runic Mannaz; the Self) to union with the Universe, enhancing the personal power of the Witch through the energies of herbs and natural objects and directing this to accomplish a goal. Ritual, magical tools, and conscious spellwork functions through the Elementals, and a Grimoire is created to codify tables of magical correspondences for a successful practice. Religion plays no part, save as the Witch and the Unnamed All work together through Nature with honesty, instinct, and intuition.

GREEN PRACTICE AS RELIGION
This type of Green Craft identifies the Goddess and the God in partnership with the Witch through a self-initiation for introduction and learning, and later by complete union in a selfdedication. As a religion, magic is often directed through personal communion with the God and the Goddess, identified as male and female in balance. There are rituals of religious observance
including Sabbats and Esbats, and special days honoring aspects and manifestations of the Divine throughout the Wheel of the Year.

Sabbats: the Wheel of The Year

YULE ― WINTER SOLSTICE [12/21]
1. God as Oak King is born of the Goddess.
2. God as Holly King prepares to depart.
3. Goddess is Mother of the Sun God.
4. Goddess is Crone of Winter.

IMBOLC ― PURIFICATION AND FIRE [2/1]
1. Goddess is cleansed and purified.
2. Milk flows for lambs and for the baby God.
3. Quickening of the Earth.
4. Goddess is preparing to return to Maiden.

OSTARA ― SPRING EQUINOX [3/21]
1. Goddess is Maiden/brings Spring.
2. God and Goddess encourage animal fertility.

BELTANE ― FERTILITY AND FIRE [5/1]
1. God Youth and Goddess Maiden unite in love.
2. May Day flowers, romps, and bonfires.

LITHA ― SUMMER SOLSTICE [6/21]
1. God turns from Youth to Sage.
2. Marriage of God to Goddess.

LUGHNASSADH ― BREAD HARVEST [8/1]
1. God enters the Earth in marriage, giving his energy into the grain; now
his body.
2. First Harvest/Bread Harvest―grains.

MABON ― AUTUMN EQUINOX [9/21]
1. God gives his spirit into the vines, fruit, and barleycorn, wine, cider,
whiskey, beer, and mead are now his blood―He rules Underworld.
2. Goddess alone and pregnant with the God.

SAMHAIN ― DEATH AND REBIRTH [10/31]
1. God within the Goddess, yet also Leader of the Wild Hunt.
2. Veil between the worlds at its thinnest, Crone and Hunter [Lord of
Shadows] reign together.

WHEEL OF THE YEAR
quarters & cross-quarters

QUARTERS ― GREEN [LESSER] SABBATS
Yule ― Winter Solstice [12/21]
1. God is born of the Goddess.
2. Goddess is both Mother and Crone of Winter.
Ostara ― Spring Equinox [3/21]
1. Goddess is Maiden/brings Spring to Earth.
2. God and Goddess encourage fertility of Earth.
Litha ― Summer Solstice [6/21]
1. God turns from Youth to Sage/Oak to Holly King.
2. Marriage of God to Goddess.
3. Holly King impregnates Goddess with Oak King.
Mabon ― Autumn Equinox [9/21]
1. God gives his blood into the vines.
2. Goddess alone and pregnant with the God.

CROSS-QUARTERS ― WHITE [GREATER] SABBATS
Samhain ― Death and Rebirth [10/31]
1. God within the Goddess/tomb becomes the womb.
2. Veil between the worlds is thinnest.
Imbolc ― Purification and Fire [2/1]
1. Milk flows for the baby God as Oak King.
2. Quickening of the Earth.
Beltane ― Fertility and Fire [5/1]
1. God and Goddess unite in love.
2. May Day romps and bonfires/fertility encouraged.
Lughnassadh ― Bread Harvest [8/1]
1. God enters the Earth in marriage, giving his body to be the grain.
2. First Harvest―grains.

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So far I really like this book. The chapter for recitations is unique and the section on the Sabato is quite helpful. It is much bigger in real life than you think. And there is all kinds of resources sprinkled throughout. This BOS is a great resource but I would not recommend it for very new beginners, as it may be overwhelming. But I think it's a good starting point for anyone accumulating tools.

2 of 2 people found the following review helpful.
Fabulous and helpful for anyone interested in correspondences and symbols.
By Emily
This is possibly my favorite witchy book. There isn't a lot of "beating around the bush" and it really jumps right into it. This is my go-to book to look up correspondences and symbols (especially helpful in sigil-making.) There is a ton of information jammed into this book and I love the way it has worked its way into my regular references. Hands down favorite "grimoire" style witchy book in my collection.

27 of 29 people found the following review helpful.
Not for beginners
By Lomion
This book is divided into two sections; each section is divided into "parts" and there is no index.

I had a little trouble getting started on this book, I had to take a break from it several times before I was able to get through the first section which seems to have a "do it this way" feel that I didn't care for however this may just be my impression and some readers may like that approach. Also the book doesn't have the "nature lover" or "tree hugger" feel that I expected from the title, but this is neither good nor bad.

The second section contains a wealth of information that in my opinion makes the book worth the price; however I was unable to determine what rune set she has used. It does not seem to be the "Elder Futhark" or Germanic runes that is most commonly used, nor does it appear to be Danish runes, Swedish-Norse runes, Angle-Saxon runes, or Seax-Wica runes. She has used short name or abbreviations for some runes, and may simply have listed them in an unfamiliar order.

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