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The Lost Boy and the Monster (Picture Books), by Craig Kee Strete
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Old Foot-Eater has been living in the forest forever, so it was only a matter of time before he ensnared the lost boy. But the lost boy has been making friends with the scorpion and the rattlesnake, and it is because of his kindness that he might be able to escape becoming lunch for the awful old monster.
Dramatic paintings by Steve Johnson and Lou Fancher (illustrators of the best-selling My Many Colored Days, by Dr. Seuss and Cat You Better Come Home, by Garrison Keillor) bring to life the clash of the generous boy and the greedy beast.
- Sales Rank: #2490003 in Books
- Published on: 1999-05-24
- Released on: 1999-05-24
- Original language: English
- Number of items: 1
- Dimensions: 11.32" h x .40" w x 8.82" l,
- Binding: Hardcover
- 1 pages
From Publishers Weekly
Strete's (They Thought They Saw Him) unremarkable tale with dramatic artwork introduces Old Foot Eater, a monster whose diet consists of "little children's feet." The beast hangs a sticky rope from a tree to ensnare the feet of unsuspecting young passersby. Wandering near the monster's tree one day, a lost boy "who had no name" encounters a rattlesnake and a scorpion. Both are amazed that the child does not harm them ("Aren't you going to beat me with a stick?" each asks the boy) and each in turn thanks the boy "for letting me be me." The creatures repay the boy's kindness when his feet get caught up in the monster's rope, and they help to set him free. Johnson and Fancher (My Many Colored Days; The Frog Prince, Continued) use mixed media to create paintings that seem at once sophisticated and primitive. Featuring a palette of tawny earth tones, the artists incorporate a top border filled with symbols from cave paintings and Southwestern petroglyphs. A particularly theatrical spread shows the boy dangling upside-down against a backdrop of the monster's face. As accomplished as the artwork is, however, it cannot carry the thin story line. Ages 4-8. (May)
Copyright 1999 Reed Business Information, Inc.
From School Library Journal
Grade 1-3-Strete crafts a tale wherein good defeats evil not through the hero's cleverness but because of his respect for nature. A lost boy who lives alone in the forest is saved from a horrible monster, Foot Eater, by a rattlesnake and a scorpion. The nameless waif's "favor" to these normally persecuted creatures had been in refraining from beating them, a gesture that earned their loyalty. Johnson and Fancher's oil paintings, bordered by strips of stylized petroglyphs, effectively convey the limited action of the text but the earth tones often blend together, making it hard to tell what's going on in the two-page spreads. The boy's face is cherubic and his eyes seem vacant, visually complementing the platitudes he utters; the skeletal monster is sufficiently jagged. It's nice that these desert creatures feel compelled to come to the boy's rescue but one can't help wondering why they didn't just warn their new spiritual brother about Foot Eater's trap in the first place. This superficial tale of harmony is an object lesson that borders on the preachy but the stony monster should give youngsters a delightful chill or two.
John Sigwald, Unger Memorial Library, Plainview, TX
Copyright 1999 Reed Business Information, Inc.
From Kirkus Reviews
Strete pens an ode to tolerance that is none too subtle, but the stunning artwork from Johnson and Fancher should keep viewers involved. The story is a parable couched as a Native American tale, in which a boy (identified by Strete as lost and without a name, although why this is important is never made clear) comes across a rattlesnake and a scorpion, both of whom wonder why the boy doesn't kill them: ``Why should I do that? Snakes belong in this world just like me.'' Scorpions, too, the boy chirps. The venomous critters adopt the boy as a brother and when he gets trapped by the Old Foot Eater, a monster who lives in a medicine basket on top of a tree, catching his quarry with a sticky rope, the rattlesnake and scorpion come to his rescue and seal the monster's doom. Good deeds fly thick and fast here, but without context. The illustrations draw their hues from the American southwest, while the paint is scratched to convey a sense of age and animation, and the monster is a ghoulish, block-headed, spine-chilling delight. (Picture book. 4-8) -- Copyright ©1999, Kirkus Associates, LP. All rights reserved.
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By A Customer
It's a fun story for the young ones, and the illustrations are fabulously entertaining. The story itself with the ugly monster and creepy crawlers makes it engaging and sure to keep the interest of kids. But the book makes me wonder why the main character appears to be a Native American boy. This doesn't appear to be relevant to the story, though the illustrator's note mentions that some of the art was inspired by Native American art. Which group or tribe?
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