Jumat, 27 Juli 2012

[E924.Ebook] Fee Download Recuperar la salud (Spanish Edition), by Stephanie Simonton

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Recuperar la salud (Spanish Edition), by Stephanie Simonton

Nuestras reacciones de respuesta al estres, asi como otros factores emocionales, pueden contribuir al desencadenamiento del cancer y otras enfermedades, del mismo modo que una actitud positiva y una mayor autoestima contribuyen no solo a la supervivencia, sino que hacen que la vida gane en color y calidad. En Recuperar la salud se describen con detalle las tecnicas de Carl y Stephanie Simonton, que estan siendo utilizadas con gran exito desde hace ya mas de cuarenta y cinco anos, como un refuerzo psicologico de tratamientos habituales. / In this book the Simontons profile the typical ""cancer personality"": how an individual's reactions to stress can contribute to the onset and progress of cancer, and how positive expectations, self-awareness, and self-care can contribute to survival. This book offers the same self-help techniques the Simonton's patients have used to reinforce usual medical treatment.

  • Sales Rank: #2840299 in Books
  • Published on: 2016-03-31
  • Original language: Spanish
  • Number of items: 1
  • Dimensions: 8.20" h x .80" w x 5.20" l,
  • Binding: Paperback
  • 352 pages

About the Author
Author/Narrator O. Carl Simonton, M.D., D.A.B.R., is the best-selling co-author of "Getting Well Again," and "Stress, Psychological Factors, and Cancer." He is the founder of both the world-famous Cancer Counseling and Research Center, and the Simonton Cancer Center.

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Selasa, 24 Juli 2012

[P559.Ebook] Download Selected Essays (Oxford World's Classics), by Virginia Woolf

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Selected Essays (Oxford World's Classics), by Virginia Woolf

Used - Like New

  • Sales Rank: #1295295 in Books
  • Published on: 2008
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.72" h x .68" w x 5.12" l, .50 pounds
  • Binding: Paperback
  • 288 pages

Most helpful customer reviews

21 of 22 people found the following review helpful.
Fine selection of essays by a great man
By Daniel Myers
This comparatively short book consists of extremely well-selected essays by the great Scottish philosopher and historian, on everything from public credit to delicacy of taste. Also included are the different classes of philosphers, including the class Hume falls under, The Sceptic (Hume's sp.). There is also an exceedingly interesting essay on the populousness of the world in ancient times. Apparently, the accepted notion at Hume's time was that there were hordes of people in ancient times and that our race has been dwindling ever since. Hume, on the other hand, proposes the radical notion that just the opposite is the case, and sets out to prove it quite handily.-Overall, the best introduction to one of my favorite writers that I've yet to read.

15 of 15 people found the following review helpful.
Highly entertaining corpus of essays
By TheIrrationalMan
Written in the highly polished Augustan prose style of the period, this is a fine selection of essays from the pen of the great Scottish philosopher, historian and economist, David Hume. The essays range from aesthetics, commerce, history and ethics, which include such pieces as "The Epicurean", "The Stoic" and "The Sceptic" (Hume's own credo) all which are rather curiously positioned and excellently written guides to living. "Of the Immortality of the Soul" and "Of Suicide", two of Hume's most controversial essays touching on theological topics, are also included in this volume. Both succeeded, with their bold, original arguments, in outraging the British clergy, which helps us to understand why Hume decided to have them published posthumously.

16 of 17 people found the following review helpful.
Excellent View of Hume
By R. Albin
Hume is known today primarily for his seminal philosophical works. He regarded himself, however, as a man of letters who contributed to many areas and he was known best to his contemporaries as a historian. This nice collection of essays displays the breadth of Hume's interests and his well developed writing style. Hume was particularly interested in essays which would bring important topics before a broad public and wrote in an accessible and often entertaining style. Some of Hume's best known essays on philosophical and religous topics are included in this collection. What may be of greatest interest are some of the lesser known essays which display both the versatility and the power of Hume's intellect. Included are essays on economics and international trade, and also some political theory. Hume was an opponent of mercantilist ideas, supporting the largely correct notion that trade would enrich all parties. His political theory is particularly interesting. In contradistinction to the widely accepted ideas of the time, Hume suggested that republican governments could be stable if the size of the republic was large enough to encompass enough competing groups to prevent one from assuming complete control. It is known that James Madison read Hume in the period leading up to the Constitutional Convention and many scholars suspect that Hume's ideas were the germ of the defense of republicanism/federalism developed by Madison in the Federalist Papers. A momentous idea with momentous consequences.

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Kamis, 19 Juli 2012

[V384.Ebook] Fee Download A Garden of Vipers, by Jack Kerley

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A Garden of Vipers, by Jack Kerley

When a young reporter is viciously murdered, Mobile,Alabama, detectives Carson Ryder and Harry Nautilus find themselves drawn into the dealings of the wealthy Kincannon family-until Ryder is abducted-with no clues as to who did it or why. Digging to uncover the truth that could lead him to his partner, Nautilus discovers a web of connections between the dead reporter, an enigmatic behind-the-scenes powerbroker, and the Kincannons' own dark secrets.The question quickly becomes:What would the perfect family do to protect that image of perfection? The answer: Whatever it takes.

  • Sales Rank: #11468156 in Books
  • Brand: Brand: Thorndike Press
  • Published on: 2006-11
  • Format: Large Print
  • Original language: English
  • Number of items: 1
  • Dimensions: 1.10" h x 6.02" w x 8.20" l,
  • Binding: Hardcover
  • 525 pages
Features
  • Used Book in Good Condition

From Publishers Weekly
Carson Ryder and Harry Nautilus, homicide detectives on the Mobile, Ala., police force, hit the ground running in Kerley's appealing third suspense novel (after The Hundredth Man and The Death Collectors). In a race against other cops, the pair take up the case of a young journalist, Taneesha Franklin, who's been slashed to death. The victim was close to Carson's girlfriend, TV reporter Dani Danbury, who was mentoring her. Almost every trail leads in some fashion to the Kincannons—a family with great wealth, skeletons in the closet and a matriarch with tenuous control over her fractious, unstable sons. Ryder and Nautilus make an effective team—until one of them is taken out of action and each has to fight for survival on his own. Kerley has a nice feel for the Gulf area, and his detectives are a couple of aces sharing competence, bravery and camaraderie. (June)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
*Starred Review* A young female reporter is tortured then murdered. A blind woman is kidnapped and brutalized but survives, and a high-priced call girl is burned alive. All the cases are connected, but Mobile, Alabama, detectives Carson Ryder and Harry Nautilus aren't sure how. Serial killers are almost compelled by their pathology to commit the same crime again and again, but these murders are dissimilar in forensically significant ways. Meanwhile, as Ryder and Nautilus head-butt various dead ends, Ryder learns that his television reporter girlfriend is being wooed by Lucas Kincannon, the owner of the station and leading son of Mobile's most prestigious, albeit nouveau riche, families. Ryder's distaste for the Kincannon clan, put with a few follow-the-money clues, lands the detectives on a collision course with the city's most powerful forces. Kerley's third Mobile mystery is as compelling as his first two, The Hundredth Man (2004) and The Death Collectors (2005). His plotting is cleverly believable, his protagonists realistically flawed, and his villains utterly but all-too-humanly evil. The Kincannon tribe will have readers casting suspicious glances at whatever powerful families are leading their local charities. Excellent. Wes Lukowsky
Copyright © American Library Association. All rights reserved

Review
Compelling...Excellent. -- Booklist, starred review

Kerley is a master...James Patterson has a new contender for the thriller throne. -- J.A. Konrath, author of Rusty Nail

Most helpful customer reviews

1 of 1 people found the following review helpful.
A Very Good Thriller
By madscientist_13
Jack Kerley has come a long way from The Hundredth Man in terms of his style and his ability to draw the reader in and tell an excellent story that is also well crafted. Ryder and Nautilus are dealing with a case that centers around a wealthy Mobile family, the Kincannons, who have a great deal of influence. Influence aside, Ryder has a separate problem with a member of the Kincannon family as he is sleeping with his girlfriend DeeDee. As the mystery deepens and the murders mount Ryder and Nautilus try to figure out a way to deal with a family whose influence makes them hard to touch.

As a reader, when I started the series I was a little doubtful because the first book had some technical issues that rankled me, but as he as progressed his pacing and plotting and gotten so much better. The Death Collectors was a serious step up from The Hundredth Man and with this novel to the improvement is just as noticeable so I am looking forward to seeing what happens to Ryder and Nautilus. Plus, since Ryder gets dumped on average of once a novel, the poor guy, you just have to keep reading them to hope that he'll get a relationship that will stick.

0 of 0 people found the following review helpful.
A Different Approach
By Blake Field
I guess it is kind of difficult to conjure up a new main character/sidekick combination, but Jack Kerley has done a good job of it. I actually like carson Ryder and care what happens to him in the book. I read this one quickly and enjoyed every page, even if the incarcerated psycho-brother was a bit of stretch (you KNOW we'll see him on the loose someday!)

0 of 0 people found the following review helpful.
Really great
By Amazon Customer
well written, you really get to know and love the characters, it's easy to get lost in the book and swept up in all the converging plots. I fully enjoy this series

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Senin, 16 Juli 2012

[C680.Ebook] Download Baking with the Cake Boss: 100 of Buddy's Best Recipes and Decorating Secrets, by Buddy Valastro

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Baking with the Cake Boss: 100 of Buddy's Best Recipes and Decorating Secrets, by Buddy Valastro

Buddy Valastro, the star of TLC’s smash hit Cake Boss shares everything a home cook needs to know about baking as he takes readers through the same progressive training he had in his own apprenticeship.

Call it the Buddy system, because Baking with the Cake Boss is an education in the art of baking and decorating, from kneading to rolling, fondant to flowers, taught by Buddy Valastro himself, the star of TLC’s smash hit Cake Boss. With more than 100 of his most sought-after recipes, including birthday and holiday cakes and other special theme designs, this book is a master course that culminates in the showstopping cakes for which Carlo’s Bake Shop is famous.

Following the arc of Buddy’s career from apprentice to master baker, Baking with the Cake Boss offers readers the same on-the-job education earned by everyone who comes to work at Carlo’s Bake Shop, with some of Buddy’s and the family’s memories shared along the way. It builds organically from simple cookies and pastries to pies, flower-adorned cupcakes, and basic fondant cakes, to breathtaking cakes for every holiday and special occasion. And, as you progress from basics to bedazzlements—like the safari cake complete with chocolate animals and a waterfall—Buddy shares his inspiring enthusiasm and stories from the shop in his inimitable voice. He also provides the tools for creating your own personal trademark cakes, with a chart that lets you mix and match cake, frosting, and liqueur syrup for cakes the way you like them. And there are plenty of photos that illustrate artistic flourishes and decorations you can use to adorn your individual creations. With 650 gorgeous, step-by-step instructional photos that let you follow Buddy as if you were next to him in the bakery, Baking with the Cake Boss is an incomparable dessert education that will become an essential reference for aspiring and skilled bakers alike.

Bursting with delicious, tried-and-true recipes, how-to boxes and sidebars, and numerous tricks of the trade, Baking with the Cake Boss is a rare treat—a fun, accessible guide to baking, all in a gloriously designed, fully illustrated package worthy of the Cake Boss’s artistic vision.

  • Sales Rank: #23254 in Books
  • Published on: 2011-11-01
  • Released on: 2011-11-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.13" h x 1.00" w x 7.37" l, 2.15 pounds
  • Binding: Hardcover
  • 352 pages

Amazon.com Review


Recipe from Baking with the Cake Boss: Chocolate Brownie Clusters

In a bakery like Carlo's, everybody contributes some recipes at some time or another. These cookies—-which replicate the flavors and textures of a brownie in a meringue--like cookie that's miraculously crisp on the outside and gooey in the middle—-were the invention of the late, great baker Sal Picinich (who passed away while I was writing this book) and they-re pretty ingenious.

What impresses me about these cookies is the complex, deeply satisfying result achieved with just a handful of ingredients: egg whites, sugar, cocoa, and nuts. The batter looks like an unholy, goopy-gooey mess. When you make these, you might even think you did something wrong—-how could it transform into something appetizing? Your doubt might even be increased by the fact that these can only be spooned onto your baking sheet; the dough is too sticky for a pastry bag and too messy to work with by hand.

But trust me: Once these get into the oven, something magical happens and these ugly ducklings turn into perfect little swans—-and everybody will love the way they mimic the flavor and texture of brownies. It's a cookie to die for.





Ingredients

  • 3 extra-large egg whites

  • 1/2 teaspoon freshly squeezed lemon juice

  • 1 1/2 cups powdered (10X) sugar

  • 1 1/4 cup unsweetened Dutch-process cocoa powder

  • 1 1/2 cups unsalted raw walnut halves

Instructions

1. Position a rack in the center of the oven and preheat to 325 degrees F.

2. Put the egg whites and lemon juice in the bowl of a stand mixer fitted with the whip attachment. (Be sure the bowl is immaculately clean; see "Egg Whites," page 56.) Whip on low speed for 2 minutes, then on maximum speed until stiff peaks form, about 5 minutes.

3. Sift the sugar and cocoa powder into the bowl together, then fold into the batter with a rubber spatula until the batter is smooth and shiny. Fold in the walnuts, until they are well coated with the batter.

4. Line two cookie sheets with parchment paper, using nonstick spray or a dab of butter in each corner to glue the paper in place. Drop heaping tablespoons of dough 1/2 inch apart, being sure to include about the same number of walnuts (3 or 4) in each one.

5. Bake until the outside has crisped and the bottom starts to pull away from the parchment paper, 15 to 20 minutes.

6. Remove the cookie sheet from the oven. As soon as the clusters can be moved, use a spatula to transfer them to a rack and let them cool.

Enjoy the cookies right away, or store when completely cool in an airtight container at room temperature for up to 1 week.


Sifting

I sift ingredients for two reasons: (1) To be sure dry ingredients aren't too compacted; sifting helps ensure a lighter result in the baked good being made. (2) To better combine two or more dry ingredients that will be added to a recipe at the same time. This is especially important when you are using leavening agents such as baking powder and baking soda—-you want those strong-acting ingredients to be as evenly distributed as possible to ensure an even result across the entire baked good. (All of that said, in some cookie recipes I don't call for sifting because the dough gets mixed enough that the ingredients can't help being evenly distributed.)

About the Author
Buddy Valastro is the star of the hit TLC series Cake Boss and Next Great Baker and author of the New York Times bestsellers Cake Boss and Baking with the Cake Boss, as well as Cooking Italian with the Cake Boss. He is owner of Carlo's Bake Shop in Hoboken and the Cake Boss factory in Jersey City, which supplies stores around the country. Buddy lives with his wife and four children in New Jersey.

Excerpt. © Reprinted by permission. All rights reserved.
Introduction


It all started with a cookie.

Everything I am professionally. All that I’m capable of doing in a bakery. Every wedding and theme cake I’ve ever conceived and created. It all began with the first thing I was ever taught to make when I started working at my family’s bakery: butter cookies. It’s been a long time since my first “official” day on the job—almost twenty-five years—and it feels like a long time. When I look back over my life and career, I recall my skills growing at the same slow pace at which a tree grows.

A baker’s development doesn’t happen overnight. It’s a painstaking thing. Even if you have raw talent, you have to nurture it, develop it. You have to patiently back up instinct and intuition with craft and, most of all, practice. Because in baking, practice doesn’t just make perfect. Practice also lets you move on to the next level, the next challenge, the next thing to be mastered.

Learning to bake is like learning to speak. You pick up that first word, even if you pronounce it imperfectly, and then pretty soon you learn another, and then another. You might not be able to say every word as clearly as a network anchorman, or put words together into sentences, but even as a kid you know that’s where you’re headed, to a place where you can string words into sentences, sentences into paragraphs, paragraphs into anything you want—an essay, a story, a memoir—if you put in the time to get good at each of the component parts.

It’s the same with baking. Those butter cookies were like my first word. They’re not difficult to make, and they’re still one of the first things we assign to baking newbies at Carlo’s Bake Shop, my family’s business on Washington Street in Hoboken, New Jersey: You mix a dough of butter, sugar, almond paste, egg whites, and flour; scrape it into a pastry bag; pipe circles of it onto a parchment paper–lined tray; and bake them.

Next to the magnificent theme cakes we produce, those butter cookies might sound like the most idiotproof grunt work you could imagine. But they’re not. The beautiful thing about baking is that it all fits together; just as words lead to sentences, and sentences lead to paragraphs, those cookies—as well as the others I made in my first months on the job—laid the foundation for all the baking and decorating that awaited me, and if you’re new to baking, they can do the same thing for you.

THE KARATE KID PRINCIPLE

You’ve probably already made cookies, but I wonder if you have any idea how much you’ve learned about pastry and cake making from something as simple as mixing and baking a chocolate chip cookie.

If you’ve made cookies from scratch, then you already have experience with one of the most important things about baking: mixing dough until it’s just the way it’s supposed to be. As for the baking itself, you’ve developed an eye and a nose for doneness, and you’ve learned a little something about how food behaves after it comes out of the oven, like the effect of carryover heat (the way things continue to cook by their own contained heat as they rest), and that the cookies will harden as they cool.

Those things might not seem like much—I bet you’ve never even given them much thought—but if you’ve ever made chocolate chip cookies from scratch, then you’ve already begun to unleash the baker within.

I call this the “Karate Kid principle.” In the movie The Karate Kid—both the original and the 2010 remake—the young protagonist is forced by his master, Mister Miyagi, to execute a series of seemingly mundane tasks: sanding the floor, painting a house, and waxing a car (in the original) or picking up and putting on a jacket, then taking it off and hanging it up (in the remake). The boy doesn’t see the value of these tasks—in fact, he thinks the old man is toying with him—but when it comes time to step up and do some real karate, he finds that he knows all he needs to know: the brushstrokes he used to paint taught him the motion for blocking a blow; bending over to pick up the jacket prepared him to duck; and so on. He’s been learning more than he ever realized just by doing those simple little things, over and over.

It’s the same with baking: You do small tasks like mixing cookie dough, or piping an éclair full of cream, or rolling out rugelach. It’s assembly line work, or at least that’s how it seems. But when it comes time to do more intricate baking and decorating, you realize you already know a lot of what’s required. If you do enough baking, then you don’t even have to think about it because your senses take over: Your fingers know what dough should feel like when you work it; your eyes and nose develop a sixth sense for doneness; and your brain makes adjustments based on the end result so you can correct your course the next time to make it even better.

Once you get all those tasks down to a T, and you move on to the next ones, that’s when you have your Karate Kid moment. All of those cookie-making skills come into play when you decide to tackle pastry; the mixing, rolling, shaping, and baking have become second nature, so you can save your mental energy for what’s new: assembly and decorating. And by the time you get to cake making and decorating, and discover that you’ve already got the tools to do that… well, it’s a truly mystical moment in a baker’s life when we realize that we possess the skills necessary to make our tools and ingredients do whatever we want them to, and that we’re capable of more than we ever thought possible. I hope that this book will help you attain such a moment in your own baking life.

I’m living proof of what I’m talking about. In my early days at Carlo’s Bake Shop, I was confined to simple baking tasks such as making cookies and what we call “finishing work,” which means slicing and piping pastries full of cream, or topping them with maraschino cherries or strawberry halves. Those jobs didn’t seem like much at the time, just your basic dues-paying labor. But eventually, I got so good at these rudimentary tasks that I didn’t even have to think about them. By making cookies, I learned how to mix, picked up some simple piping techniques, and honed my eye for doneness, learning to discern the fine lines between “hot,” “done,” and “burned,” which were different for each cookie. By making pastry, I learned a greater variety of skills, developed greater finesse with dough, and began to develop what we call the “Hand of the Bag,” the oneness with a pastry bag that you need to be able to decorate cakes. And cakes were the next step in my education.

Because repetition leads to mastery, my favorite times at the bakery were the holidays, when we’d bang out 150 pans of éclairs and 150 of cream puffs in a single day. I used to look forward to those crunch times, because when each one was over, my skills had risen to a new level and I was ready to move on to the next thing. January didn’t bring just the new year; on the heels of the December madness at Carlo’s, it also brought me new challenges in the kitchen.

I’ve designed this book to track the same path I took at Carlo’s, the one that any young baker still takes there today. Of course, you don’t have to bake these recipes in the order I’ve arranged them in this book, especially if you already have a certain degree of baking and decorating experience. But if you do bake them one after the other, in order—and if you take the time to really learn each recipe until it’s second nature to you—when you get to the theme cake recipes, you’ll be amazed at how much you know: You will be an expert mixer, and baking will be a breeze. If you are going to use fondant, you’ll have already developed crucial rolling skills; and if you’re going to do a lot of piping, you’ll already know all the techniques required to produce the various effects.

YOUR CARLO’S BAKE SHOP APPRENTICESHIP

To put all of this another way: Think of this book as your own, private apprenticeship alongside me, the Cake Boss himself. I am going to teach you everything I learned at my family’s bakery, in the same order I learned it. We’re going to start by making cookies, then work our way up through the Carlo’s “curriculum” of pastries, pies, basic cake decorating, and theme cakes.

There is going to be a difference between my education and yours, however: I’m not going to make you wait for the larger lessons to reveal themselves. As we take on each recipe in this book, I’ll tell you exactly how it will help you with future recipes, so you can flip or think ahead and start to connect the dots for yourself.

Of course, if you already have some baking experience—or even if you don’t—you don’t have to follow my suggested sequence. You can make all of the recipes in this book without cross-referencing any others in the book, except for the occasional “subrecipe” for a filling, icing, or dough. But if you’re starting to bake from scratch, I’d encourage you to confine yourself to cookies for a while, then move on to pastries, then pies, and finally to cakes.

THE PEP TALK

Before we get started, I’m going to give you a little talk I like to give to everybody who comes to work with me and my family. Baking is hard work, and in a professional kitchen, it’s a team effort. So I think of myself as a coach, and part of my job is to motivate people whenever I can, starting with their first day on the job.

So imagine that it’s six o’clock in the morning. You’ve been up since five. You took a quick shower, pulled on your checkered pants and cook’s whites, drove or trained it to Hoboken, and made your way through the predawn streets to the cobblestone alleyway that leads to our back door. You push it open and prepare to step through the looking glass, into your baking future.

The first thing that hits you is the glare. The kitchen is bright. It has to be. We need to be able to discern all the little differences in batters and doughs as they’re mixed and in the wide variety of final products as they come out of the ovens.

You spot me waiting for you. Even after all these years, I still love these early morning hours and I’m a bundle of energy and excitement. I take pride in being up and about and hard at work while most of the world is still fast asleep. Most bakers I know feel the same way. These hours are sacred—the streets beyond the bakery walls are quiet; the phones aren’t ringing yet. It’s the perfect time to commune with our ingredients and our ovens with zero outside distraction. It’s the perfect time to bake.

“Hey, how’s it going?” I say and we do a high five that turns into a handshake in midair. “Are you ready to work?”

“Yes,” you say… if you know what’s good for you.

“That’s what we like to hear,” I say. “But before we get you started, let’s have a cup of coffee.”

We head out to the retail floor and help ourselves to two coffees from the pot behind the counter. On the way back into the kitchen, we pass the picture of my father—Buddy Sr.—hanging over the staircase. The words “Gone But Not Forgotten” are emblazoned across it. And it’s true: To this day, his spirit imbues everything we do. His passion and energy inspire everybody who works here—the veterans worked shoulder-to-shoulder with him and the younger generation receives his passion indirectly from the veterans. It’s a chain, a continuum, that I hope will never end.

We find a corner of a bench (wooden worktable) where we aren’t in anybody’s way. As the bakers mix and roll all around us, heaving huge trays of this and that into the ovens, then hauling them out, golden-brown and smelling of sugar and spices, I tell you what I want every new baker to know.

“Within these walls is everything you need to know to be a complete baker.” When I say “complete,” I emphasize the word so much that you jump a little. “Complete baker” is a term that has special meaning at Carlo’s. Everybody who works here takes pride in being a complete baker.

“My cake education was nothing special back when I was a kid,” I say. “In those days, everybody in a bakery knew how to do everything. ‘All-around bakers,’ we called ourselves. Thoroughbreds. There was nothing that we couldn’t do. We baked Tuesday, Wednesday, and Thursday, making everything from biscotti to cakes. Then on Friday, Saturday, and Sunday, when people had their celebrations, we decorated cakes from sunup to dusk.

“Age might be a strike against you in the corporate world,” I tell you. “But here, there has always been great respect for the elders, because they’ve been doing things longer than the rest of us and for the most part are better.”

You nod. You look around, and notice that older guys like Danny Dragone—one of our longtime utility players—have no trouble keeping pace with younger guys like my brother-in-law Joey Faugno, who runs the baking department. Both of them are much more than bakers, or even managers; they are fonts of baking knowledge and wisdom. They spend a good part of each and every day patiently nurturing young talent by pointing out the things that their charges can learn only through firsthand baking experience, like calling their attention to the distinct textures and colors that let you know when each dough is done mixing. Or how certain cookies need to finish baking out of the oven, on their pan, even though they might seem a little raw. Or that you need to smell the fresh ricotta we still get from a local farm—in pails, on ice, with no labels or expiration dates—before making cannoli cream, to make sure it’s not spoiled. We also check up on our young colleagues in more subtle ways—for example, when I see somebody making a wheat pie, I always take a sniff of the filling as it cooks on the stovetop because my nose will tell me whether or not they remembered to include the orange and lemon zest, both of which give off a distinct and potent perfume.

The old pros look so good doing their jobs that new kids can be intimidated and make bad decisions. While I was writing this book, a pair of young bakers burned two racks of cookies. Not burned black, but burned enough that they weren’t right to sell. That’s a mistake that anybody can make, even me, even today. What matters isn’t whether cookies burn, but what you do with them when that happens. In this case, the guys—maybe afraid we’d be cross with them—put the cookies with the properly baked ones that were headed for the pastry cases on the retail floor, which was a big mistake. Fortunately, we caught the burned ones before they went out for sale. They weren’t so horribly wrong that they had to end up in the garbage can, but we couldn’t sell them, so we donated them to the homeless, which is what we do with the baked goods we produce that aren’t quite up to our commercial standards, but are still pretty delicious.

Joey, Danny, and all the other veteran bakers are each like well-oiled machines in their own right. And there’s no chit-chat, no clowning around—they are all focused on what they are doing, and on doing it to the best of their ability. One guy might be mixing batch after batch of dough, which we still do in an old industrial Hobart mixer, the baker rolling up his sleeve and sticking his arm down into the depths of the bowl to scrape it; another might be pulling trays off the rotating shelves in the oven, then getting trays of unbaked cookies and pastries onto those shelves before too much heat has escaped; yet another might be doing finishing work, icing cookies or piping éclairs full of cream.

I think about how each of these guys could switch roles or how they could all do the same task if that’s what the production day called for. It’s an increasingly rare way of doing things.

“Times have changed,” I say. “This is the era of specialization. Today, there are guys who just bake, and guys who just decorate. But I think it’s best to do it all.”

And this is when I look up from my coffee and stare you right in the eye: “That’s how we’re going to train you.”

This is also about the time I can tell that a new baker is ready to get going, to get his hands dusty with flour and start making the magic happen. But before I set that person to work, I like to make a few more points, and I want to make them to you before we begin baking together.


  • Success in baking is founded on repetition. The most important thing to realize about baking is that repetition is the gateway to greatness. Just as athletes have to train and musicians have to practice, if you want to be a terrific baker, you need to learn to love the process—from measuring out your ingredients to mixing batters and dough to baking to decorating. There’s no separating one part from another, because all those steps add up to success in the final product, and if any one of them is suspect, then the whole thing falls apart. I also think of great bakers as soldiers, because it’s all about discipline, about taking great pride in turning yourself into a human machine that can execute the same series of steps over and over in the exactly same way.

  • There are many ways to be creative. On Cake Boss, the theme cakes are the center of attention, and with good reason: They are jaw-dropping, showstopping examples of unbridled creativity. Our theme cakes make anybody who sees them, even other professionals, say, “How did they do that?” But there are many ways of being creative. If you don’t have the hands for, or interest in, elaborate decorating, but love the flavors and textures of delicious baked goods—and the pleasure those qualities give to the people you bake for—then you might turn out to have a skill for creating your own distinct recipes. Or you might find that you have a knack for instituting small changes that make a big impact, like adapting my recipe for Raspberry Bars to make apricot, blueberry, or lemon-orange bars; or perhaps making a simple but attention-getting adjustment like dipping half of each bar in chocolate. Or you might take the recipe for Butterflies and relocate the wings from the top to the bottom, using them as legs to fashion a different animal, bringing your own distinct sense of play to the pastry.

    In other words, don’t feel that you have to become a cake boss yourself in order to find happiness in baking; there are countless home bakers out there who take great pride and satisfaction in making nothing but cookies. If that’s where your comfort zone and happiness lie, be happy with that and get as good at it as you possibly can.

  • Always be willing to try new things. As much as I believe in repetition and consistency, I also believe that it’s important to try new things, to balance the required discipline for baking with a chance to be spontaneous and to grow. Whether it’s tinkering with a tried-and-true recipe to see if you can make it even better, or attempting to design something you’ve never seen before, it’s worth the trouble and relatively minor expense to innovate, especially if you end up bringing a new recipe or design into the world.

  • No two bakers are exactly alike. There’s no one way to do anything when it comes to baking. The recipes and advice I share work for me, and for my family and coworkers, and for the customers who line up outside our shop on Washington Street in Hoboken, New Jersey. But—who knows?—you might come up with a new way of doing things—from tweaking a recipe to discovering a new use for a kitchen tool—that works for you. At the end of the day, baking is about your own individualistic relationship with the tools and ingredients; if you can come up with your own way of doing something, don’t hesitate to go give it a try. And if you change a recipe, be sure to keep notes on what you did so you can do it again! (See “Keeping a Book,” below.)

  • Believe. Along with a good rolling pin and mixer, and a well-stocked pantry, there’s something else you need every time you bake: confidence. If you watch seasoned bakers do their thing, they all exude an easy confidence. You need to have the same slight swagger when you step up to your workstation and dust it with flour. You need to know in your bones that you will not fail. Why is this so important? Because you need to trust all your senses; for example, most dough doesn’t look anything like what the final product it produces looks like, so you need to have the confidence to know you’ve mixed it properly. Similarly, when you step up to a naked cake, piping bag in hand, and get ready to go to work on that blank canvas, if you have any doubt in yourself, it will be reflected in imperfect borders and wavy lines. Believe in yourself when you bake and decorate; it’s as important as anything else.

  • KEEPING A BOOK

    All professional bakers keep a notebook full of hard-won baking wisdom—everything from recipes for the signature items in the shop where they work to old family treasures they want to be sure survive through the ages. But you can’t necessarily pick up a baker’s book and use it like a cookbook, because a lot of us, especially the veterans, keep our notes in a form of code, changing at least one ingredient so that nobody can steal from us.

    My favorite story about this tradition involves one of the legends of Carlo’s Bake Shop, Mike Vernola, better known as Old Man Mike. Mike’s encrypted recipes were almost as revered as the man himself. To keep a young, up-and-coming baker from ripping off his secrets, Mike always changed the quantity of one ingredient in a recipe; for instance, an ounce of salt might be represented as twelve ounces of salt. There was no rhyme or reason to it; one recipe would have the flour wrong, another the sugar. And only Mike knew the correct quantities.

    One day, a job applicant was trying out with us, and he managed to get his hands on Mike’s book. Somebody saw him take it into the bathroom, and—worried that Mike’s intellectual property was being lifted—reported it to me. I tracked down my father with great urgency and reported what was going on. Rather than freak out, he let loose with a roar of laughter.

    “What’s so funny?” I asked.

    “He’s got Mike’s book,” my father said. “Nothing’s written down right. He won’t be able to use any of it!”

    Now, that’s a funny story, but—in all seriousness—I encourage you to keep your own book. At the very least, you should keep notes in the margins of this and other cookbooks. Maybe you like a little more sugar than I do for a sweeter effect in some recipes; or maybe your oven is a little slower (or faster) than mine, so you want to adjust baking times. Maybe you like to add another spice or chocolate chips to some recipes, or maybe you want to remember to make a dish for a particular person or occasion. Write those things down, all of those things.

    If you do a lot of baking, especially if you’re a professional or aspiring professional, you should go beyond making notes in a book and start keeping your own notebook. Make it something personal that fits comfortably into your bag or your pocket. Keep notes (they can be shorthand) on recipes, tricks, lessons, and so on. And do yourself a favor: Periodically type those notes up and keep them in a backed-up computer file so that you have them available if you lose the notebook. If you come up with a lot of original stuff, you might even do what the old-timers do and write in code; just be sure you remember what you changed so you can use the recipes yourself!

    © 2011 DCL

    Most helpful customer reviews

    109 of 116 people found the following review helpful.
    The Good, Bad and Ugly!
    By milloer427
    I will start by saying this is a good book.
    "The Good" I love the way Buddy goes into detail for decorating. He explains decorating basics, walks you through the simplest cakes then step by step goes into a little more advanced. Great for the Beginning decorator. The instructions are clear and the step by step pictures are wonderful. SOME of the recipes are to die for. The chocolate mousse, Italian custard...Chocolate cake, icing recipes are spot on! yummmmm! Love his flavor suggestions for cakes.

    The reason I can't give this book 5 stars is:
    "The BAD" I was a little disappointed that there really weren't any NEW recipes. The same recipes can be found in his first book. If you don't have his first book then this is a good buy for you

    "The Ugly" Even though MOST of the recipes in the book are divine: WARNING! The vanilla cake recipe is the worst recipe ever! I am a professional baker as well but this recipe leaves you with a heavy cake that taste like pancake dough. I wouldn't even call it a sponge cake... I tried it twice making sure everything was exact. Both attempts, Big fat BOMB on this one!!!! I was very disappointed in this recipe. Hopefully it is just a misprint in the directions. All in all I would recommend the book!

    108 of 117 people found the following review helpful.
    Cake Boss? ...more like Fake Boss.
    By lennyrabbit
    I have to say that I am beyond disappointed by this book. I have never posted a review this scathing before, but I feel compelled to express how angry this "cookbook" makes me. I have formal culinary training, but I've never worked professionally in baking or pastry, so I figured I would buy this book and learn some of Buddy's recipes for home baking. I thought his vanilla cake recipe was a bit odd at first glance, particularly because it doesn't follow any of the traditional mixing methods or ingredients required for most traditional cakes. I gave the recipe a chance, but the result was two 9-inch vanilla hockey pucks. The recipe calls for vegetable oil, no butter, and no creaming of the fat and the sugar. What he does not tell you is the commercial bakeries use emulsified shortening as a fat source in what are called "high-ratio" cakes, since emulsified shortening allows a cake to hold more sugar. He simply substituted vegetable oil for emulsified shortening, even though these two ingredients behave TOTALLY differently.

    I think Buddy (or some unsupervised delegate) was lazy and changed one ingredient in this recipe, with no regard for modifying the method associated with the change. He even says in the acknowledgements that his brother-in-law, Joey, tested all these recipes...HIGHLY unlikely that two skilled bakers tested these recipes. If the recipes were intentionally altered to protect the intellectual property of Carlo's Bakery, then Buddy should write a guide to decorating, NOT a cookbook that delivers poor products, tarnishes his reputation, and makes him look like a shady character who turned his father's sterling reputation into a lot of gold at the expense of quality. Buddy comes across as an honest guy, a family man, and a true professional on his show. The whole intro to the book focuses on being a "complete" baker, and the importance of learning methods as building blocks to overall competence. Too bad the integrity he talks about is not reflected in the quality of this book. Buddy is either too busy to care what products bear his family name, or he's a crook from Jersey who misled you into thinking he would share his family recipes. Now I can't even bear to watch his show while I wait for the mailman to take this book back.

    1 of 1 people found the following review helpful.
    Awful! Self indulgent, focused on selling products rather than teaching readers.
    By icp-pinoy
    I regret ordering this book. Like the TV series, it's focused more on self-promotion and promotin various stuff that the cake boss is selling. I want to learn more about baking and NOT how to buy and use all those devices that Valastro is promoting. the recipes are bad. There are a lot of better books like the one of America's Test Kitchen. Surprisingly, I had better success with recipes provided in The Joy of Cooking. I wish I could return the book but it was too late when I realized how bad the book was.

    See all 257 customer reviews...

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    Jumat, 06 Juli 2012

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    Journeys: Reading Adventures Student Edition Magazine Grade 5, by HOUGHTON MIFFLIN HARCOURT

    • Sales Rank: #2108346 in Books
    • Published on: 2012-12-07
    • Number of items: 1
    • Binding: Paperback
    • 88 pages

    Most helpful customer reviews

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    Selasa, 03 Juli 2012

    [T728.Ebook] PDF Download The Story of Corn, by Betty Fussell

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    The Story of Corn, by Betty Fussell

    The Story of Corn, by Betty Fussell



    The Story of Corn, by Betty Fussell

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    The Story of Corn, by Betty Fussell

    The Story of Corn is a unique compendium, drawing upon history and mythology, science and art, anecdote and image, personal narrative and epic to tell the extraordinary story of the grain that built the New World. Corn transformed the way the entire world eats, providing a hardy, inexpensive alternative to rice or wheat and cheap fodder for livestock and finding its way into everything from explosives to embalming fluid.

    Betty Fussell has given us a true American saga, interweaving the histories of the indigenous peoples who first cultivated the grain and the European conquerors who appropriated and propagated it around the globe. She explores corn's roles as food, fetish, crop, and commodity to those who have planted, consumed, worshiped, processed, and profited from it for seven centuries.

    Now available only from the University of New Mexico Press, The Story of Corn, is the winner of a Julia Child Cookbook Award from the International Association of Culinary Professionals.


    "Written in a lively and nontechnical style."--Library Journal


    "Fussell has clearly done a good deal of research and a lot of traveling--peering over a precipice at Machu Picchu, descending into a restored ceremonial kiva of the Anasazi people in New Mexico, visiting the sole surviving corn palace from the Midwest boosters--glory days of a century ago."--Kirkus Reviews

    • Sales Rank: #966990 in Books
    • Published on: 2004-12-15
    • Original language: English
    • Number of items: 1
    • Dimensions: 8.98" h x 1.08" w x 8.00" l, 1.64 pounds
    • Binding: Paperback
    • 367 pages

    Review
    "Fussell has clearly done a good deal of research and a lot of traveling--peering over a precipice at Machu Picchu, descending into a restored ceremonial kiva of the Anasazi people in New Mexico, visiting the sole surviving corn palace from the Midwest boosters' glory days of a century ago."

    ""The Story of Corn" is a fascinating read."

    ." . . a fascinating read. Look for the book and dive in."

    "The fascinating story of corn is told in a wonderfully engaging book by Betty Fussell, a food historian."

    "Fussell tells a fascinating, thoroughly researched and comprehensive story of the centrality of corn to American culture."

    ." . . a lively blend of anecdotes and facts about world corn. . .a specialized food history that will appeal across many different lines, from students of anthropology and sociology to culiary enhusiasts and history buffs."

    "Fussell has the admirable virtue of integrating her copious research gracefully into the vast narrative that tracks corn through the empire of the Incas to the moderm saga of ethanol fuels, deftly blending anthropology, science and history. . . The carefully selected bibliography is a fine finishing touch to this sophisticated and satisfying "tour de force.""

    ." . .a most wide-ranging, complex account. . The author delves into corn's long history, from it's origins as a grass to its place in the mythology and economy of aboriginal peoples, and its modern usefulness as scientists probe the limits of its molecules. . . This is a book that needed writing and one that imaginative teachers can fit into a whole range of school subjects."

    From the Inside Flap
    This interweaving of folklore, history, and science tells the seven-century story of the importance of corn in the Americas.

    From the Back Cover
    In an authoritative, wise and wholly original blend of social history, art, science and anthropology, Betty Fussell tells the story of corn in a narrative that is as uniquely hybrid as her subject. It is a story that can be told in the language of myth or industry, of sacred ritual or secular farming, but in any language it makes clear that all the civilizations of the Western Hemisphere have been built on corn. The great epic of this amazing grain and of the people who for seven centuries have planted, eaten, worshipped, processed and profited from it reaches into every corner of American life--not just its food but also its poetry, its commerce, its religion and, of course, its booze. In her beautifully balanced text as well as in hundreds of extraordinary illustrations, Fussell juxtaposes the many facets of corn's history and influence to surprising, dramatic effect. The Story of Corn changes completely one's sense of the shape and nature of the American experience. You will never again munch on a hush puppy, admire a Maya temple, read Hiawatha or simply pass a cornfield in the same way.

    Most helpful customer reviews

    15 of 15 people found the following review helpful.
    A persuasive treatise on a pervasive food...
    By A Customer
    A fun, crammed compendium on how this food became ubiquitous--like the apple in our diet. It's forms and functions are seemingly unending. You'll be surprised how much and in what ways you've consumed it. Stock photos, quotes, recipes, postcards: a loving scrapbook and historical tale of corn. If you're a cook, you'll love it. It's like a year of Gourmet magazine with every issue on a different facet of corn. A fun gift to give.

    0 of 0 people found the following review helpful.
    Well-written, with detailed information on all almost all aspects related to corn
    By John Karon
    The author is descended from folks who grew corn on the plains, and their story is woven into the start and end of the text. There is a great deal of detail on ritual and traditional uses of corn by Native American peoples, from the Toltecs and Aztecs and Woodland peoples to modern tribes, and especially much on the uses of corn as a food, in fact so much on alternative ways of making some dishes (such as bread-like dishes) in various cultures that many readers would skip over these details. The chapter on the mechanization of corn process also has lots of detail but is hard to follow for those of us who don't know the function of many of the agricultural tools: the author doesn't describe them. Similarly, while the author mentions the six general types of corn (sweet, dent, pop, flour,...), she never explains the differences among them, and there is limited information on corn genetics. The author describes the surprising number of industrial uses for corn in some detail:the book has lots of information on all aspects of corn but some useful details are missing. I was especially interested in the conflicting theories on the ancestry of corn in a section titled The Corn War (at the time of publication, there were theories that teosinte was either not the ancestral grain or not the only one). One error: in the text on Chaco, the author states that Pueblo Bonito housed more than 1000 people; it is now accepted that it housed relatively few. A limitation of this book is that it was published in 1992 and hence has nothing on modern developments related to GMOs. There is an extensive bibliography but few references within the text indicating which sources contain more information on a topic. Of course, a reader can go to the web for a particular topic (such as the types of corn), but it would be useful to have it in the text.

    0 of 0 people found the following review helpful.
    Everything you ever wanted to know about corn
    By Lynne E. Ohlson
    History, cultivation, and future of corn - a comprehensive guide to a vegetable one either craves or feeds to their herd

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